The Complete Prose of T S Eliot The Critical Edition The Perfect Critic 1919 1926 Eliot 1st Edition by Anthony Cuda, Ronald Schuchard ISBN 9781421412955 1421412950

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ISBN 10:1421412950

ISBN 13:  9781421412955

Author: Anthony Cuda, Ronald Schuchard

The Complete Prose of T. S. Eliot: The Critical Edition — The Perfect Critic 1919–1926
Edited by Anthony Cuda & Ronald Schuchard

This volume is part of the authoritative Critical Edition of T. S. Eliot’s prose writings, presenting a meticulously edited collection of Eliot’s critical essays, reviews, and other prose from the early phase of his career. Covering the years 1919 to 1926, this period includes some of Eliot’s most formative critical work, during which he established himself as a preeminent literary critic and thinker.

The Perfect Critic offers a comprehensive insight into Eliot’s evolving aesthetic and intellectual concerns in the post-World War I era, reflecting his responses to modernist poetry, drama, and cultural developments. The editors Anthony Cuda and Ronald Schuchard provide thorough scholarly annotations, textual variants, and contextual commentary, making this volume an indispensable resource for scholars, students, and readers interested in Eliot’s literary criticism and the shaping of modernist literature.

Table of contents: 

1. The Perfect Critic, 1919-1926: Introduction
2. Editorial Procedures and Principles
3. Acknowledgments
4. List of Abbreviations
5. List of Illustrations
6. Marivaux
7. The New Elizabethans and the Old. A review of The New Elizabethans: A First Selection of the Lives of Young Men Who Have Fallen in the Great War, by E. B. Osborn
8. The Post-Georgians. A review of Wheels: A Third Cycle, ed. Edith Sitwell
9. American Literature. A review of A History of American Literature, vol. II, ed. William P. Trent et al.
10. A Romantic Aristocrat

11. A Foreign Mind. A review of The Cutting of an Agate, by W. B. Yeats

12. The Romantic Generation, If It Existed. A review of Currents and Eddies in the English Romantic Generation, by Frederick E. Pierce

13. “Rhetoric” and Poetic Drama

14. Was There a Scottish Literature? A review of Scottish Literature: Character and Influence, by G. Gregory Smith

15. Christopher Marlowe

16. Tradition and the Individual Talent

17. Swinburne as Critic

18. Hamlet

19. Murmuring of Innumerable Bees. An unsigned review of Coterie: An Illustrated Quarterly, 2

20. Humanist, Artist, and Scientist. A review of Italian Thought in the Sixteenth Century and the Libertine Current and The Ethics of Giordano Bruno and the Second Dialogue of Spaccio, by J.-Roger Charbonnel

21. War-paint and Feathers. A review of The Path on the Rainbow: An Anthology of Songs and Chants from the Indians of North America, ed. George W. Cronyn

22. The Method of Mr. Pound. A review of Quia Pauper Amavi, by Ezra Pound

23. Our Inaccessible Heritage. To the Editor of The Athenaeum

24. Mr. Pound and His Poetry. To the Editor of The Athenaeum

25. Ben Jonson

26. The Preacher as Artist. A review of Donne’s Sermons: Selected Passages, ed. Logan Pearsall Smith

27. The Duchess of Malfi at the Lyric: and Poetic Drama

28. The Local Flavour

    Kipling Redivivus. A review of

     

29. Swinburne as Poet
30. William Blake
31. The Phoenix Society. To the Editor of The Athenaeum
32. Euripides and Professor Murray
33. A Brief Treatise on the Criticism of Poetry
34. Modern Tendencies in Poetr
35. Kipling Redivivus. To the Editor of The Athenaeum
36. A Sceptical Patrician. A review of The Education of Henry Adams: An Autobiography
37. Beyle and Balzac. A review of A History of the French Novel, to the Close of the Nineteenth Century, vol. II, by George Saintsbury
38. Criticism in England. A review of Old and New Masters, by Robert Lynd
39. The Education of Taste. A review of English Literature during the Last Half-Century, by J. W. Cunliffe
40. Reflections on Contemporary Poetry [IV]. A review of Naked Warriors, by Herbert Read; The Charnel Rose, Senlin: A Biography, and Other Poems, by Conrad Aiken; and vingt-cinq poems, by Tristan Tzara
41. A Foreign Mind. A review of The Cutting of an Agate, by W. B. Yeats
42. The Romantic Generation, If It Existed. A review of Currents and Eddies in the English Romantic Generation, by Frederick E. Pierce
43. “Rhetoric” and Poetic Drama
44. Was There a Scottish Literature? A review of Scottish Literature: Character and Influence, by G. Gregory Smith
45. Christopher Marlowe
46. Tradition and the Individual Talent
47. Swinburne as Critic
48. Hamlet
49. Murmuring of Innumerable Bees. An unsigned review of Coterie: An Illustrated Quarterly, 2
50. Humanist, Artist, and Scientist. A review of Italian Thought in the Sixteenth Century and the Libertine Current and The Ethics of Giordano Bruno and the Second Dialogue of Spaccio, by J.-Roger Charbonnel
51. War-paint and Feathers. A review of The Path on the Rainbow: An Anthology of Songs and Chants from the Indians of North America, ed. George W. Cronyn
52. The Method of Mr. Pound. A review of Quia Pauper Amavi, by Ezra Pound
53. Our Inaccessible Heritage. To the Editor of The Athenaeum
54. Mr. Pound and His Poetry. To the Editor of The Athenaeum
55. Ben Jonson
56. The Preacher as Artist. A review of Donne’s Sermons: Selected Passages, ed. Logan Pearsall Smith
57. The Duchess of Malfi at the Lyric: and Poetic Drama
58. The Local Flavour
59. 1920
60. Swinburne as Poet
61. William Blake
62. The Phoenix Society. To the Editor of The Athenaeum
63. Euripides and Professor Murray
64. A Brief Treatise on the Criticism of Poetry
65. Modern Tendencies in Poetry
66. To the Editor of The Liverpool Daily Post and Mercury
67. Marie Lloyd
68. Letter from England: Style in Contemporary English Prose (Dec 1922)
69. 1923
70. To the Editor of The Daily Mail
71. To the Literary Editor of The Chicago Daily News
72. Dramatic Personages
73. To the Literary Editor of The Globe and Commercial Advertiser
74. John Donne. A review of Love Poems of John Donne
75. Ben Jonson. To the Editor of The Nation and the Athenaeum
76. The Function of a Literary Review
77. Contemporary English Prose
78. Andrew Marvell. A review of Miscellaneous Poems, by Andrew Marvell
79. The Function of Criticism
80. The Classics in France and in England
81. The Beating of a Drum. A review of Studies in the Development of the Fool in the Elizabethan Drama, by Olive Mary Busby; and The Sacred Dance: A Study in Comparative Folklore, by W. O. E. Oesterley
82. Ulysses, Order, and Myth. A review of Ulysses, by James Joyce
83. A Preface to Modern Literature: Being a Conspectus, Chiefly of English Poetry, Addressed to an Intelligent and Inquiring Foreigner
84. Letter from England (Nov 1923)
85. Marianne Moore. A review of Poems and Marriage, by Marianne Moore
86. 1924
87. To the Editor of The Transatlantic Review
88. Four Elizabethan Dramatists: A Preface to an Unwritten Book
89. A Prediction in Regard to Three English Authors: Writers Who, Though Masters of Thought, are Likewise Masters of Art
90. A Commentary (Apr 1924)
91. A Commentary (July 1924)
92. An untitled review of The Growth of Civilization and The Origin of
93. Magic and Religion, by W. J. Perry 536
94. A Commentary (Oct 1924) 539
95. Preface to Homage to John Dryden: Three Essays on Poetry of the
96. Seventeenth Century 546
97. A Neglected Aspect of Chapman 548
98. A Brief Introduction to the Method of Paul Valéry 559
99. 1925
100. A Commentary (Jan 1925) 567
101. On the Eve: A Dialogue [with Vivien Eliot] 572
102. A Commentary (Apr 1925) 576
103. The Ballet. A review of The Dance: An Historical Survey of Dancing in Europe, by Cecil J. Sharp and A. P. Oppé; and Mudrās: The Ritual Hand-Poses of the Buddha Priests and Shiva Priests, by Tyra
104. The Kleen 581
105. Meeting 585
106. Why Rural Verse. A review of Spring Thunder and Other Poems, by
107. Mark Van Doren 589
108. Autobiographical Note. Harvard College Class of 1910,
109. Quindecennial Report
110. 592
111. English Satire. An unsigned review of English Satire and Satirists, by
112. Hugh Walker 593
113. An Italian Critic on Donne and Crashaw. An unsigned review of Secentismo e marinismo in Inghilterra: John Donne – Richard
114. Crashaw, by Mario Praz 596
115. Shakespeare and Montaigne. An unsigned review of Shakspeare’s Debt to Montaigne, by George Coffin Taylor 600
116. Wanley and Chapman. An unsigned review of Essays and Studies by Members of the English Association, vol. XI, collected by Oliver
117. Elton 603
118. 1926
119. The Clark Lectures. Lectures on the Metaphysical Poetry of the Seventeenth Century with Special Reference to Donne, Crashaw
120. and Cowley 609
121. [Author’s Preface] 609
122. Lecture I: Introduction 610
123. Lecture II: Donne and the Middle Ages
124. Lecture III: Women and the Trecento
125. Lecture IV: The Conceit in Donne
126. Lecture V: Donne’s Longer Poems
127. Lecture VI: Crashaw
128. Lecture VII: Cowley and the Transition
129. Lecture VIII: The Nineteenth Century
130. Textual Notes
131. The Idea of a Literary Review
132. A Popular Shakespeare. An unsigned review of The Works of Shakespeare, vols. I-III. Introductions by Charles Whibley
133. Introduction to Savonarola: A Dramatic Poem, by Charlotte Eliot
134. A Commentary (Apr 1926)
135. Mr. Robertson and Mr. Shaw. A review of Mr. Shaw and “The Maid,” by J. M. Robertson
136. An untitled review of All God’s Chillun Got Wings (with Desire under the Elms and Welded), by Eugene O’Neill
137. A Commentary (June 1926)
138. English Verse Satire. An unsigned review of A Book of English Verse Satire, ed. A. G. Barnes
139. The Influence of Ovid. An unsigned review of Ovid and his Influence, by Edward Kennard Rand
140. The Author of “The Burning Babe.” An unsigned review of The Book of Robert Southwell, by Christobel M. Hood
141. Plague Pamphlets. An unsigned review of The Plague Pamphlets of Thomas Dekker, ed. F. P. Wilson
142. Creative Criticism. An unsigned review of Creative Criticism: Essays on the Unity of Genius and Taste, by J. E. Spingarn
143. Chaucer’s “Troilus.” An unsigned review of The Book of Troilus and Criseyde, by Geoffrey Chaucer, ed. Robert Kilburn Root
144. American Prose. An unsigned review of The Outlook for American Prose, by Joseph Warren Beach; and S. P. E. Tract No. XXIV, which includes Notes on Relative Clauses, by Otto Jespersen, and American Slang, by Fred Newton Scott
145. Lancelot Andrewes
146. A Commentary (Oct 1926)
147. Mr. Read and M. Fernandez. A review of Reason and Romanticism: Essays in Literary Criticism, by Herbert Read; and Messages, by Ramon Fernandez
148. Note on Mallarmé and Poe
149. Hooker, Hobbes, and Others. An unsigned review of The Social and Political Ideas of Some Great Thinkers of the Sixteenth and Seventeenth Centuries, ed. F. J. C. Hearnshaw
150. Massinger. An unsigned review of A Study of Massinger’s Collaboration with Fletcher and His Group, by Maurice Chelli; and Massinger’s A New Way to Pay Old Debts, ed. A. H. Cruickshank
151. More and Tudor Drama. An unsigned review of Early Tudor Drama: Medwall, the Rastells, Heywood, and the More Circle, by A. W. Reed
152. Sir John Davies
153. Early Tudor Drama. To the Editor of the TLS
154. Medieval Philosophy. An unsigned review of History of Mediaeval Philosophy, by Maurice De Wulf
155. Mr. J. M. Robertson and Shakespeare. To the Editor of The Nation and the Athenaeum
156. Whitman and Tennyson. A review of Whitman: An Interpretation in Narrative, by Emory Holloway

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