Stanley Kubrick A Narrative and Stylistic Analysis 2nd Edition by Mario Falsetto – Ebook PDF Instant Download/Delivery: 0275969746, 978-0275969745
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Product details:
ISBN 10: 0275969746
ISBN 13: 978-0275969745
Author: Mario Falsetto
The second edition of Mario Falsetto’s extensive analysis of Kubrick’s films carefully examines the filmmaker’s oeuvre in its entirety–from smaller, early films (The Killing) through mid-career masterpieces (Dr. Strangelove; 2001: A Space Odyssey; A Clockwork Orange), later films such as Full Metal Jacket, and his final work, 1999’s Eyes Wide Shut. The author, offering close readings supported by precise shot descriptions, shows us how Kubrick’s body of work represents a stylistically and thematically consistent cinematic vision, one that merges formal experimentation with great philosophical complexity.
Falsetto explores many of Kubrick’s often-used devices, including the long-take aesthetic, voice-overs, and moving camera, and discusses the thematic uses to which these techniques are applied. Finally, he presents the very first formal analysis of Eyes Wide Shut, the director’s final, very much underrated masterwork.
Table of contents:
1 Patterns of Narrative Organization
Nonlinear Time: The Killing
Narrational Gaps: Absence and Presence in Lolita Narrative Reversal, Repetition and Points of Convergence
A Clockwork Orange
Barry Lyndon
Eyes Wide Shut
2 Time and Space:
Part 1
The Long-Take Aesthetic
Individual Films
Paths of Glory
Dr. Strangelove
2001: A Space Odyssey
3 Time and Space:
Part 2
Individual Films
A Clockwork Orange
Barry Lyndon
The Shining
Full Metal Jacket
Eyes Wide Shut
4 Filmic Narration:
Part 1
Voice-Over
First-Person Commentary
Third-Person Commentary
5 Filmic Narration:
Part 2
Filmic Subjectivity
2001: A Space Odyssey
A Clockwork Orange
The Shining
Eyes Wide Shut
Subjectivity versus Objectivity
6 Character and Performance
A Clockwork Orange
Barry Lyndon
The Shining
7 Final Thoughts
Appendix
Narrative Segmentations
The Killing
Lolita
A Clockwork Orange
Shot Description: Fragment of Dr. Strangelove
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Tags: Mario Falsetto, Stanley Kubrick, A Narrative, Stylistic Analysis


