Reading Derrida s Of Grammatology 1st Edition by Sean Gaston, Ian Maclachlan- Ebook PDF Instant Download/Delivery: 978-1441152756, 144115275X
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Product details:
ISBN 10: 144115275X
ISBN 13: 978-1441152756
Author: Sean Gaston, Ian Maclachlan
With new readings from nineteen internationally renowned scholars, Reading Derrida’s Of Grammatology is a significant reassessment and informed discussion of Jacques Derrida’s landmark 1967 text.
Since its original publication, Of Grammatology has had a profound impact on philosophy, literary theory and the Humanities in general. Through a series of close readings of selected passages by writers from a wide range of disciplines, this collection aims to discover anew this important work and its continuing influence. The book includes new readings by:
– Gayatri Chakravorty Spivak
– J. Hillis Miller
– Jean-Luc Nancy
– Derek Attridge
– Geoffrey Bennington
– Nicholas Royle
Reading Derrida’s Of Grammatology is an essential book for anyone interested in Derrida’s work, from readers new to the book to experienced researchers in philosophy, literature and the many other disciplines that Of Grammatology has transformed over the last forty years.
Table of contents:
PART 1 WRITING BEFORE THE LETTER
1. The End of the Book and the Beginning of Writing
Christopher Johnson, Epoch, Event, Context
Michael Syrotinski, Origins: ‘the most original and powerful ethnocentrism’
Sean Gaston, Even Leibniz
Christopher Johnson, The Cybernetic Imaginary
Julian Wolfreys, Of Dark Sentences and Gnomes
Forbes Morlock, Deconstruction – A Little Note
Michael Syrotinski, From Etymology (etumos logos) to Translation, via Badiou and Paulhan
Michael Naas, Pneumatology, Pneuma, Souffle, Breath
Sarah Wood, Good Writing
Ian Maclachlan, The Idea of the Book
Peggy Kamuf, A Certain Way of Inhabiting
2. Linguistics and Grammatology
J. Hillis Miller, Exergue
J. Hillis Miller, Brisure
J. Hillis Miller, Jeu
J. Hillis Miller, Trace
Nicholas Royle, Bizarre
Derek Attridge, The Arbitrary
Sean Gaston, Writing and World
Ian Maclachlan, Embarrassing Experience
Ann Smock, This Concept Destroys its Name
Ian Maclachlan, A Hinge
Ian Maclachlan, Something Other Than Finitude
3. Of Grammatology as a Positive Science
Christopher Johnson, Grammatology as a ‘Positive’ Science
Paul Davies, Why Leibniz?
Christopher Johnson, Writing in Evolution, Evolution as ‘Writing’
Peggy Kamuf, Grammatology as General Science
Forbes Morlock, Differance – A Little Note
Sarah Wood, The Constitution of Good and Bad Objects
Jean-Luc Nancy, The White Opening
Jean-Luc Nancy, Blank Opening
PART 2 NATURE, CULTURE, WRITING
1. The Violence of the Letter: From Lévi-Strauss to Rousseau
Michael Naas, Lure, Delusion, Illusion
Forbes Morlock, The Subject of Reading-1
2. ‘… That Dangerous Supplement…’
Michael Naas, To Initiate, To Initiate or Open Up,
to Breach or Broach
Forbes Morlock, The Subject of Reading-2
Forbes Morlock, The Subject of Reading-3
Peggy Kamuf, The Dwelling of Women
3. Genesis and Structure of the ‘Essay on the Origin of Languages’
3.1 The Place of the ‘Essay’
Sean Gaston, Pity, Virtuality and Power
Clare Connors, Preference and Force
Peggy Kamuf, Being-in-Nature
Clare Connors, Dynamis and Energeia
3.2 Imitation
Ann Smock, Print
Geoffrey Bennington, Fractal Geography
Ann Smock, Accents
Forbes Morlock, The Copyist
Clare Connors, Articulation, Accent and Rhyme
3.3 Articulation
Michael Naas, Butades, the Invention of Drawing and the ‘immediate sign’
Peggy Kamuf, The Eye at the Centre of Language
Forbes Morlock, The Subject of Reading-4
Forbes Morlock, The Subject of Reading-5
Clare Connors, Presque
Timothy Clark, Climate and Catastrophe:
A Lost Opening?
Sarah Wood, The Point d’Eau or the Water-Holes that are Imperceptibly Present in Writing
4. From/Of the Supplement to the Source:
The Theory of Writing
Sean Gaston, Kafka, Literature and Metaphor
Forbes Morlock, The Subject of Reading-6
Forbes Morlock, The Subject of Reading-7
Peggy Kamuf, On Naïveté
Ann Smock, Theatre Without Theatre
Sean Gaston, Periodicity
Peggy Kamuf, Habitation in General
Peggy Kamuf, ‘From somewhere where we are’
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