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On the Art of Singing 1st Edition by Richard Miller ISBN 978-0199773923 0199773920

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On the Art of Singing Richard Miller Digital Instant Download

Author(s): Richard Miller
ISBN(s): 9780199773923, 0199773920
Edition: Reprint
File Details: PDF, 5.79 MB
Year: 2011
Language: english
SKU: EB-4630058 Category: Tag:

On the Art of Singing 1st Edition by Richard Miller – Ebook PDF Instant Download/Delivery: 978-0199773923, 0199773920
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Product details: 

ISBN 10: 0199773920

ISBN 13: 978-0199773923

Author: Richard Miller

This engaging and long influential collection of essays looks at the art of singing in its totality. Written in a lively, non-technical style, On the Art of Singing is a comprehensive manual that deals with all aspects of singing, from the physiology and acoustics of the singing voice to career-building. Divided into four main sections — vocal technique, style and interpretation, professional preparation, and vocal pedagogy – the book’s structure is such that the reader may pick and choose as personal interests and needs dictate. Containing essential information for all singers, including original research on the mechanics of the voice, this book collects in one volume everything that renowned instructor and singer Richard Miller considers essential to the art of vocal performance. To anyone seeking that elusive state of vocal freedom, whether as a singer or instructor of singers, and to anyone else interested in voice, vocal technique or vocal performance, On the Art of Singing will prove an indispensible guide.

Table of contents: 

  1. Imagery and the Teaching of Singing

  2. Five Principles for the Successful Teaching of Singing

  3. Covering in the Singing Voice

  4. The Open Throat La gola aperta

  5. Breath Management Diction and the Vocal Legato

  6. Diction and Vocal Technique

  7. The Performer as Voice Teacher

  8. Pedagogical Clothing for the Emperor and Empress

  9. Wrapping Up the Performance Package

  10. What to Do on a Performance Day

  11. Warming Up the Voice

  12. The Technique of Marking

  13. The Vocal Contestant and the Judges

  14. Twentyone Proven Ways to Alienate Competition Judges

  15. Beginning with Another Teacher

  16. Early and Late Bloomers

  17. The Tricky Teacher

  18. Woofy Baritones and Tinny Tenors

  19. McPedagogy

  20. What You Need Is More Support

  21. Simplicity in Singing

  22. Teaching Hearing the Voice

  23. Si canta come si parla?

  24. How Singing Is Not Like Speaking

  25. Thinking Phonetically Values and Pitfalls of the IPA

  26. A Parable of the Foolish Baker

  27. The Choral Conductor as Teacher of Vocal Technique

  28. The Law of Contingency and Vocal Pedagogies

  29. To Admire or to Teach?

  30. Patching the Vocal Garment

  31. Mysteries and Miracles

  32. The FlatEarth School of Vocal Pedagogy

  33. Sharpening Up Some Old Pedagogical Saws

  34. Open Windows

  35. On Musical Style and Interpretation

  36. Purely a Matter of Taste

  37. The Two Poles of Bel Canto

  38. Singing the mélodie

  39. Selfperception and Performance Reality

  40. Liederwurst

  41. Seit ich ihn gesehen kann ich jedoch singen

  42. Words or Sentences? Notes or Phrases?

  43. Sentiment or Sentimentality?

  44. Singing the Recitative

  45. Reality and Art

  46. Pop Music NonWestern European Vocal Styles and Efficient Vocal Function

  47. How Is Legato Achieved in Singing?

  48. Rhythm versus Beat

  49. Large and Small Strokes

  50. The GildaintheSack School of Singing

  51. The Demise of the Studio Baroque Vocal Sound

  52. Vocal Coach or Vocal Technician?

  53. Vocal Tea Parties of the Private and Public Sorts

  54. As the Old Italians Said

  55. The Lively Dying Art of Singing

  56. The Sense of Immediacy in Singing

  57. On Preparation for the Professional Life

  58. The Seven Pillars of Performance Success

  59. Creative Practicing

  60. A Stroll Past the Practice Rooms

  61. What Technical Work Have You Done Today?

  62. The Lonely Soccer Player

  63. How to Really Bomb a Master Class

  64. Developing Independence in the Student

  65. Is There a Cure for Performance Anxiety?

  66. Please Tell Me My Fach

  67. The Aging Singer

  68. The Wisdom of the Body in Singing

  69. Studio Procedures

  70. Truth in Advertising A Critical Look

  71. The Practicality of Creativity

  72. On the Singing Voice and Vocal Function

  73. The Singing Teacher in the Age of Voice Science

  74. On the Invasion of Vocal Pedagogy by Science

  75. The Invisible Instrument?

  76. Have You Read the Literature?

  77. TongueHyoid BoneLarynx

  78. Tongue Neck and Jaw

  79. Gorillas Giraffes Lions and Gazelles

  80. Male and Female Created He Them

  81. In Search of the Tenth Rib

  82. Teaching Voices of the Opposite Gender

  83. Instinctive Artistic Singing

  84. Lets Build a Straw Man The TechniqueversusArtistry Debate

  85. The Misuses of Scientific Information in the Teaching of Singing

  86. Relax and Sing?

  87. Easily Not Lazily Tonicity in the Singing Instrument

  88. The Effect of Tongue Position on Spectra in Singing

  89. The Role of the Jaw in Singing

  90. The Incorrupt Jaw and Tongue of Saint Anthony of Padua

  91. How Big Is the Big Sound?

  92. Feeling Hearing and Seeing the Voice

  93. Spectrographic Analysis of the Singing Voice

  94. Vowel Definition in a Performance by Jussi Bjoerling of Vesti la giubba

  95. Spectral Components of Five Cardinal Vowels in the Soprano Singing Voice Considered by Means of the Sequential Vowel Diagonal

  96. A Brief Spectral Study of Vowel Differentiation and Modification in a Professional Tenor Voice

  97. What the Vocal Arts Laboratory Can and Cannot Do

  98. The Singer and the Otolaryngologist

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