Knowledge in Motion Perspectives of Artistic and Scientific Research in Dance 1st Edition by Sabine Gehm, Pirkko Husemann, Katharina von Wilcke ISBN 3899428099 978-3899428094
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Product details:
ISBN 10: 3899428099
ISBN 13: 978-3899428094
Author: Sabine Gehm, Pirkko Husemann, Katharina von Wilcke
In a globalised society, dance is gaining in importance as a means of conveying body knowledge: It is perceived as an art form in itself, is fostered and cultivated within the bounds of cultural and educational policy, and is increasingly becoming the subject of research. Dance is in motion all over the world, and with it the knowledge that it holds. But what does body knowledge in motion constitute, how is it produced, how can it be researched and conveyed? Renowned choreographers, dancers, theorists and pedagogues describe the unique potential of dance as an archive and medium as well as its significance at the interface between art and science. Contributors are, among others, Gabriele Brandstetter, Dieter Heitkamp, Royston Maldoom and Meg Stuart.
Table of contents:
Dance as Culture of Knowledge
Gabriele Klein
Dance in a Knowledge Society
Gabriele Brandstetter
Dance as Culture of Knowledge.
Body Memory and the Challenge of Theoretical Knowledge
Bojana Cvejic
Trickstering, Hallucinating and Exhausting Production.
The Blackmarket for Useful Knowledge and Non-Knowledge
A Metalogue Between Peter Stamer
What is an Artistic Laboratory?
Artistic Research
Henk Borgdorff
The Mode of Knowledge Production in Artistic Research
Marijke Hoogenboom
Artistic Research as an Expanded Kind of Choreography Using the Example of Emio Greco | PC
Rebecca Groves, Norah Zuniga Shaw and Scott deLahunta
Talking about Scores:
William Forsythe’s Vision for a New Form of »Dance Literature«
João Fiadeiro
If you don’t know, why do you ask?
An Introduction to the Method of Real-Time Composition
Jeroen Peeters
How Do You Want to Work Today?
Notes on an Alternative Choreographic Mode for the Production of Speech
Body Knowledge and Body Memory
Alva Noë
Making Worlds Available
Meg Stuart in dialogue with Scott deLahunta
Flickering and Change
Irene Sieben
Expeditions to the Inner Teacher.
How the Pioneers of Movement Studies Inspire Dance
Dieter Heitkamp in dialogue with Gabriele Wittmann
Sharing with Others
Eileen M. Wanke
About Risks and ‘Side Effects‘ of Dancing.
Dance Medicine in Dance Training and the Professional Career
Dance History and Reconstruction
Jason Beechey
Capturing the Essence.
A Personal View on Dance History and Reconstruction
Claudia Jeschke
Re-Constructions: Figures of Thought and Figures of Dance:
Nijinsky’s Faune.
Experiences with Dancing Competence
Norbert Servos
What the Body Remembers.
How Pina Bausch Keeps Her Repertoire in Shape
Yvonne Hardt on a discussion with Waltraud Luley, Susanne Linke and Martin Nachbar
Reconstructing Dore Hoyer’s Affectos Humanos
Julia Cima in dialogue with Alexandra Baudelot
Digestion and Infusion.
Ways of Interpreting Dance
Inge Baxmann
The Body as Archive.
On the Difficult Relationship between Movement and History
Reception and Participation
Felix Ruckert
For a Participatory Theatre: Touching Instead of Fumbling
Erika Fischer-Lichte
On the Threshold.
Aesthetic Experience in Performances
Rudi Laermans
The Politics of Collective Attention
Hooman Sharifi in dialogue with Björn Dirk Schlüter
Generating Space
Constanze Klementz
Critique versus Critical Practice?
The Impossibility and Possibilities of Contemporary Dance Critique
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Sabine Gehm,Pirkko Husemann,Katharina von Wilcke,Motion Perspectives,Artistic and Scientific