(Ebook PDF) Ulrike Ottinger The Autobiography of Art Cinema 1st edition by Laurence Rickels 0816653305 9780816653300 Full chapter
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ISBN 10: 0816653305
ISBN 13: 978-0816653300
Author: Laurence A. Rickels
Since 1974, German filmmaker Ulrike Ottinger has created a substantial body of films that explore a world of difference defined by the tension and transfer between settled and nomadic ways of life. In many of her films, including Exile Shanghai, an experimental documentary about the Jews of Shanghai, and Joan of Arc of Mongolia, in which passengers on the Trans-Siberian Express are abducted by Mongolian bandits, she also probes the encounter with the other, whether exotic or simply unpredictable.
In Ulrike Ottinger Laurence A. Rickels offers a series of sensitive and original analyses of Ottinger’s films, as well as her more recent photographic artworks, situated within a dazzling thought experiment centered on the history of art cinema through the turn of the twenty-first century. In addition to commemorating the death of a once-vital art form, this book also affirms Ottinger’s defiantly optimistic turn toward the documentary film as a means of mediating present clashes between tradition and modernity, between the local and the global.
Widely regarded as a singular and provocative talent, Ottinger’s conspicuous absence from critical discourse is, for Rickels, symptomatic of the art cinema’s demise. Incorporating interviews he conducted with Ottinger and illustrated with stunning examples from her photographic oeuvre, this book takes up the challenges posed by Ottinger’s filmography to interrogate, ultimately, the very practice-and possibility-of art cinema today.
Laurence A. Rickels is professor of German and comparative literature at the University of California, Santa Barbara, and the author of several books, including The Case of California, The Vampire Lectures, and the three-volume Nazi Psychoanalysis (all published by Minnesota). He is a recognized art writer whose reflections on contemporary visual art appear regularly in numerous exhibition catalogues as well as in Artforum, artUS, and Flash Art.
Ulrike Ottinger The Autobiography of Art Cinema 1st Table of contents:
Chapter 1: Early Years and Formative Influences
- Childhood and Youth
- Early Encounters with Cinema and Art
- The Development of an Artistic Identity
Chapter 2: Film as a Personal and Political Medium
- Cinema as a Reflection of the Self
- The Role of Film in Political Engagement
- Art and Resistance in Ottinger’s Cinema
Chapter 3: Early Works and the Search for Identity
- First Film Projects
- Themes of Identity, Transformation, and Exploration
- Influence of Documentaries and Experimental Cinema
Chapter 4: Major Films and Artistic Milestones
- Freak Orlando
- Johanna D’Arc of Mongolia
- The Image of the City
- Exploring Fantasy, Gender, and Historical Narratives
Chapter 5: Ottinger’s Cinematic Style
- Visual Language and Symbolism in Ottinger’s Films
- Narrative Structure and Non-Linear Storytelling
- Art Cinema’s Aesthetic Choices and Their Personal Resonance
Chapter 6: Themes of Feminism and Gender in Ottinger’s Work
- Feminist Perspectives in Art Cinema
- Gender Fluidity and Reinterpretations of History
- Ottinger’s Contribution to the Feminist Film Movement
Chapter 7: The Intersection of Visual Arts and Cinema
- Ottinger’s Work Beyond Film: Photography and Painting
- Visual Art as a Companion to Filmic Expression
- The Role of Performance and Installation Art in Her Career
Chapter 8: Reflections on Time, Memory, and Identity
- The Autobiographical in Art Cinema
- The Fluidity of Time and Memory in Ottinger’s Films
- The Search for Meaning and Personal History through Cinema
Chapter 9: Later Works and Continued Innovation
- The Evolution of Ottinger’s Filmmaking Style
- Recent Projects and Continuing Themes of Exploration
- Ottinger’s Influence on Contemporary Art Cinema
Chapter 10: Legacy and Influence
- Ottinger’s Impact on Art Cinema and Film Culture
- Influence on Younger Filmmakers and Artists
- The Enduring Relevance of Ottinger’s Work
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