(Ebook PDF) Just Images Ethics and the Cinematic 1st Edition by Boaz Hagin, Sandra Meiri, Raz Yosef, Anat Zanger ISBN 9781443830829 1443830828 full chapters

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ISBN 10:1443830828

ISBN 13:9781443830829

Author: Boaz Hagin, Sandra Meiri, Raz Yosef, Anat Zanger

Just Images: Ethics and the Cinematic charts current developments within the field of ethics and the role it plays in the study of moving images. It is the first collection of essays of its kind that brings together articles by film and media scholars from three continents, and provides multiple points of engagement of film with present and past histories, politics, myth making, and with core aspects of human subjectivity. The essays cover a wide range of topics, such as the European Union; Europe during World War II and after; film genres; the Israeli-Palestinian conflict; early American history, and recent catastrophic events. The collection includes an introductory chapter by Thomas Elsaesser as well as chapters by Kristian Feigelson, Règine-Mihal Friedman, Nurith Gertz and Gal Hermoni, Anton Kaes, Gertrud Koch, Odeya Kohen-Raz, Lihi Nagler, Judd Ne’eman, Bill Nichols, and Janet Walker. The contributors offer different approaches to the issue of film and ethics and ask whether there are specific characteristics of the moving image, or of film scholarship, that relate to ethical issues; and how discussing the engagement of both narrative and documentary film with representations of the Other, trauma, terrorism, the Holocaust, and the Palestinian-Israeli conflict may contribute to the re-shaping of past and current thoughts on these subjects.

Table of Contents:

Politics, multiculturalism and the ethical turn: The cinema of Faith Akin / Thomas Elsaesser

I: Re-vision: Contested Pasts. Between Essay and midrash: Decription d’un Combat (Chris Marker, 1960) / Régine-Mihal Friedman

The muddy path between Lebanon and Khirbet Khizeh: Trauma, ethics, and redemption in Israeli film literature / Nurith Gertz and Gal Hermoni

(T)error in post-wall German cinema: Andreas Baader as the Last Action Hero of the ’68 generation / Lihi Nagler

War fantasies: Memory, trauma, and ethics in Ari Folman’s Waltz with Bashir / Raz Yosef

II: Re-location, Dis-location

Requiem for a Lost Planet: notes on Werner Herzog’s Fata Morgana / Anton Kaes

Between Scylla and Charybdis: The Palestinian Future Under the Eyes of Their Past / Judd Ne’eman

Documentaries of return: Unhomed Geographies and the Moving imgage / Janet Walker

The event and the responsibility of the image / Anat Zanger

III: Archives of Pain, Shoah

Cinematic archives and the rereading of European history in Forgács’s Cinema: A filmmaker of the anonymous / Kristian Feigelson

The ethics of Contra-Lying in narrative Holocaust films / Odeya Kohen-Raz

IV: Genre, Myth, Fantasy

A law’s tale: John Ford’s The Man Who Shot Liberty Valance / Gertrud Koch

The (Po)Et(h)ics of horror: The Transvestite Killer Revisited / Sandra Meiri

Documentary reenactment and the fantasmatic subject / Bill Nichols.
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