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Consciousness Theatre Literature and the Arts 2013 1st Edition by Daniel Meyer Dinkgrafe ISBN 1443854190 978-1443854191

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Author(s): Daniel Meyer-Dinkgrafe
ISBN(s): 9781443862479, 1443862479
Edition: 1
File Details: PDF, 1.76 MB
Year: 2013
Language: english
SKU: EB-51301800 Category: Tag:

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Product details: 

ISBN 10:  1443854190

ISBN 13:  978-1443854191

Author: Daniel Meyer-Dinkgrafe

The essays collected in this volume were initially presented at the Fifth International Conference on Consciousness, Theatre, Literature and the Arts, held at the University of Lincoln, June 15–17, 2013. The conference was organised on the basis of the success of its predecessors in 2005, 2007, 2009 and 2011, and on the basis of the success of the Rodopi book series Consciousness, Literature and the Arts, which has to date seen 34 volumes in print, with another 12 in press or in the process of being written. The 2013 conference and the book series highlight the continuing growth of interest within the interdisciplinary field of consciousness studies, and in the distinct disciplines of theatre studies, literary studies, film studies, fine arts and music in the relationship between the object of these disciplines and human consciousness. 35 delegates from 12 countries across the world attended the June 2013 conference in Lincoln; their range of disciplines and approaches is reflected well in this book.
 

Table of contents: 

Chapter One

Science in Theatre Andy Jordan

Chapter Two

The Actor’s Somatic Centre of Being Philip Shepherd

Chapter Three

Costume in Ibsen’s Plays Alla Sosnovskaya

Chapter Four

Raising Up All That Fall: Samuel Beckett and the (Un)holy Theatre of Phantoms Susie Hennessy

Chapter Five

Disabling Theatre, Enabling Consciousness: Workshop Theatre with the Platform Young Sanjay Kumar

Chapter Six

Theatre for Development as a Development Communication Strategy:

An Analysis of Rafiki Thwatre Company’s Building Bridges Participatory Theatre in Karamoja, Uganda

Keneth Bamuturaki

Chapter Seven

Evolving Sacred Space in Literature

Pavel Gavrilov

Chapter Eight Aspects of Intentionality Tamar Mebuke

Chapter Nine The Creative Process: A Study of Aesthetics in Rainer Maria Rilke’s Selected Works Rosy Saikia and Krishna Barua

Chapter Ten

Space and Landscape: Deep Ecology in Raja Rao’s The Serpent and the Rope and Gao Xingjian’s Soul Mountain Krishna Barua

Chapter Eleven

Being with Silence: The Withdrawal of Speech in Abbas Kiarostami’s A Taste of Cherry Martin Julien

Chapter Twelve

What Can Realist Phenomenology Teach Us about the Architectural Work of Art?

Christopher R. Wood

Chapter Thirteen.

The Point that Moves: Drawing and the Phenomenological Reduction Discussed as a Shared Practice of Seeing

Joe Graham

Chapter Fourteen

Reading in the Dark: A Performer’s Encounter with Emily Dickinson

and her American Musical Interpreters

Nicole Panizza

Chapter Fifteen

The End and the Places In Between

Pema Clark

Chapter Sixteen

Words Multiplied by Music: Musicalised Fiction in the 21 Century Jekaterina Haritonenko

Chapter Seventeen.

Further Beyond: Seeking Truth, Seeking Self and Simply Being in Performance

Karla Shacklock

Chapter Eighteen

Dance as a Site of Intertwining: Re-considering the Embodied Interrelationships between Dancer, Choreographer and Audience for the Twenty-first Century

Jane Carr

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