Visuality and Spatiality in Virginia Woolf s Fiction Cultural Interactions Studies in the Relationship between the Arts 1st Edition by Savina Stevanato ISBN 978-3034302418 303430241X
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Product details:
ISBN 10: 303430241X
ISBN 13: 978-3034302418
Author: Savina Stevanato
This book offers an interpretative key to Virginia Woolf’s visual and spatial strategies by investigating their nature, role and function. The author examines long-debated theoretical and critical issues with their philosophical implications, as well as Woolf’s commitment to contemporary aesthetic theories and practices. The analytical core of the book is introduced by a historical survey of the interart relationship and significant critical theories, with a focus on the context of Modernism. The author makes use of three investigative tools: descriptive visuality, the widely debated notion of spatial form, and cognitive visuality. The cognitive and remedial value of Woolf’s visual and spatial strategies is demonstrated through an inter-textual analysis of To the Lighthouse, The Waves and Between the Acts (with cross-references to Woolf’s short stories and Jacob’s Room). The development of Woolf’s literary output is read in the light of a quest for unity, a formal attempt to restore parts to wholeness and to rescue Being from Nothingness.
Table of contents:
CHAPTER I
An Approach to Interart Investigation
CHAPTER 2
The Modern Age and the Arts
CHAPTER 3
Woolf’s Visuality and Spatiality
CHAPTER 4
To the Lighthouse, The Waves, Between the Acts: An Analysis
CHAPTER 5
The Remedial Implications of Spatial Form
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Tags: Savina Stevanato, Visuality and Spatiality, Virginia Woolf, Fiction Cultural