Jazz from Socialist Realism to Postmodernism Jazz under State Socialism 1st Edition by Gertrud Pickhan, Yvetta Kajanová, Rüdiger Ritter ISBN 978-3631671733 3631671733
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Product details:
ISBN 10: 3631671733
ISBN 13: 978-3631671733
Author: Gertrud Pickhan, Yvetta Kajanová, Rüdiger Ritter
In the 20th century, jazz was an important artistic form. Depending on the particular European country, jazz music carried different social, political and aesthetic meanings. It brought challenges in the areas of racial issues, the politics of the Cold War between East and West, and in the exploration of boundaries of artistic freedom. In socialist Czechoslovakia, Yugoslavia, Hungary and Poland, the situation began to change after 1956 and then 1968, when the ideologists shifted from the aesthetics of socialist realism to postmodernism. In Western countries such as France and Italy, jazz transformed from a modern to a postmodern period. This volume deals with the impact of these changes on the career development of jazz musicians – even beyond 1989 – in terms of various phenomena such as emigration, child prodigies, multiculturalism, multi-genre approaches, or female jazz musicians.
Table of contents:
I. The East and The West before 1989
Rüdiger Ritter
Broadcasting Jazz into the Eastern Bloc – Cold War Weapon or Cultural Exchange? The Example of Willis Conover
Laurent Cugny Jazz in France 1917-1929: the Missing Object of the Reception……
Luca Cerchiari Valaida Snow: The First Multi-Instrumentalist between America and Europe……….
Igor Wasserberger
The Emergence of the Nordic Concept as a Precursor of Emancipation and Slovak-Scandinavian Relations (1950-1970)……
Márton Szegedi
Hungarian Free Jazz: Compositional and Improvisational Structures in the Music of György Szabados, as Exemplified in “The Wedding”
Jan Blüml
The Jazz Section and its Influence on the Development of Regional Cultures in Czechoslovakia before 1989: the Music Scene in Olomouc.
Yvetta Kajanová Jazz. Artists in the Former Czechoslovak Socialist Republic and Their Conflicts with the Socialist Ideology.
Zuzana Ben Lassoued The Different Careers of Slovak and Czech Jazz Musicians in the United States – Laco Déczi, Jan Hammer, Miroslav Vitouš, Jiří Mráz
Yvetta Kajanová & Zuzana Vachová Classical Music and Jazz as Inspirations for Modern Music Fusions…
Gabriel Bianchi Who Best Knows What Jazz Is? The Legacy of L’ubomir Tamaškovič, a Unique Slovak Jazzman in Post-Modern Times……
II. The Fast and The West after 1989
Julijana Zhabeva Papazova Toni Kitanovski and Cherkezi Orchestra – Global and Local Intercourse.
Igor Pietraszewski Strategies of Domination or Ways of Differentiation from Rivals in the Jazz Field….
Yvetta Kajanová The Changing Face of Slovak Jazz….
Miroslav Zahradnik Jazz. Personalities after the Downfall of the Iron Curtain: Matúš Jakabčic and His Contribution to Slovak Jazz……
Yvetta Kajanová & Daniel Hevier Jr. Penetration of Jazz into Various Genres and Subcultures
Peter Motyčka Jazz: Made in Europe
L’ubomir Chalupka Peter Breiner A Slovak Musician
Piotr Milwn-Wagom Jazz: Labour versus Opus..
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Tags: Gertrud Pickhan, Yvetta Kajanová, Rüdiger Ritter, Jazz from Socialist, Realism to Postmodernism